
the collapsing realities of a random rambler







I know. Well...it's been a while since The Bekku was updated. Here. From blogging to micro-blogging, from writing to jotting and musing, blogger to twit....has been the scene. Click here for lotsa latest thoughts The Bekku has been thinking recently.
All pix courtesy Fly, you fools.
He was good. He made us love the unfamiliar. And how. But….Who was he? What was he? We knew nothing but his name. And all songs (the few rather that we knew) were known more by their description of what happened in that particular song than by its name. The attempts to hum the tune to tell the other guy what song you were referring to were as much as the songs themselves. Lyrics were irrelevant, as we didn’t know or speak english. Track names, what’s that? All that mattered was that we were listening to “foreign music”. And having a ball of a time crowded around an old tape recorder, each trying to outdo another in his “understanding” of this weird and unfamiliar yet strangely alluring music. With their fast pace, their dancy tunes, their strange instrumentation and above all, that great voice.
I remember those futile but insanely funny attempts when a few of us school boys tried moonwalking and dancing after seeing MJ do it like only he can. With lots of loose flailing limbs and crotch grabbing in a manner only awkward adolescents can. There was no cable then, no youtube, no DVDs, but a rental Video Cassette (at 10 rupees per day) that we all pooled in with a rupee or two in to see what it was all about. I remember that video cassette also had “that song where the Michael walks on the footpath and the tiles become bright bright as he walks over them”. I clearly remember that day after we watched the video mostly because of all the bruised knuckles and painful fingers we inflicted on ourselves during PT class in a bad, misguided and pale (no-knife) imitation of the Bad video. Total fun. Lots of Iodex was used in many a classmate’s household that night.
In effect that I think is what this is about – it wasn’t just Michael Jackson who died today, but a small, if very significant part of me as well. A part of a childhood lived in a bygone era, unrecognizable today. So selfishly I mourn today as much for that part of me as much as for Michael Jackson. All the artifacts, the little cultural reference points, the shared experiences slowly eroded by death, and fading with the march of time leaving behind the detritus of nostalgia and echoes of the past.
All I can say is I’m glad I lived when I did. And given a choice to redo things, I would still choose to have Michael Jackson as my first tentative step into the world of foreign, western music.
You, me and our friends brought up in that time – we are all those blocks that lit up when Michael Jackson stepped into the days of our lives. Back when.
Rest in peace Michael Jackson and do the moves again on the great dance floor in the sky.
Le roi est mort. Vive le roi.
Late to the party you may be, but it’s never too late to read Half A Manifesto by the one-and-only Jaron Lanier. He gets it. One of the people who responded to the .5 Manifesto as you will see is a guy called Daniel Dennet. If the name sounds familiar, it is because he is one the lapdogs of none other than
Now would be a good time to re-read Gould and Lewontin's 1979 paper critiquing the adaptationists.
I remember an ad that came out slightly after the
The Australian Government is up to something similar. Indians, students in particular, get beaten, mugged, attacked, victimised. Instead of doing something about the crime, and cracking down on the criminals and admitting that it’s as racist as anything goes, Oz is instead implementing laws that make it tougher for Indian students to get into
In other news,
Speaking of Islam, spotted hoardings around the city with Obama’s smiling mug on them for some organization handing out free copies of the Koran should you be interested. The ostensible reason is that you might be interested in knowing why Obama is quoting from the Koran. And Obama himself is playing to the field, putting the ‘Hussein’ back in Barack Hussein Obama. Wonder how many people still cling to the illusion that Obama becoming President of the US of A is a step forward for negro, I mean black, I mean African-american emancipation/equality, end of racism etc. Black skin white masks I tell you. Each day and article I read just reaffirms (to me at least) that the very fact that Obama got elected means that racism is well and alive and kicking. And kicking is what the racist Australians are doing to our people down under. Idiots I tell you.
And just for the sake of symmetry, let me end with a story I remember hearing an american theater actor whose name escapes me. On his first visit to
The cover to the album Flying Pigs by Floyd the Pink. Look carefully. Swine flew then too. And if that wasn’t enough, this album – with track names mentioning swine and livestock – also inspired George Orwell to write the immortal allegorical novel called Animal Farm.
A split second after the awe and splendour hits you like a ton of red sandstone bricks, two blinks after your jaw hits the walkway at the splendour of it all, it is replaced by a sense of regret. That you were not there to see it in all its glory. Regret that slowly turns to anger at all the invaders and conquerors who’ve swept this land demolishing structures (read temples) in their wake and in their territory. The ‘eminent historians’ will tell you it was all political expediency. Nothing personal. But we all know what their motivations were. The anger and the regret never really goes away as you walk through whatever that remains – in awe, wondering about the artisans of a bygone era and marvel at the heights of their achievements, in architecture and engineering. Poetry in stone. The echoes of a lost art and culture.
The main tower, the sanctum – or the Deul as it is known – is gone. Fallen because the archstone was taken away. Or destroyed most likely. Only the Jagamohana remains. And that is what one sees dominating the skyline as you enter. But that’s not all there is to the Sun Temple. Hundreds of carvings, big and small, worldly and spiritual. And of course the highly instructive erotic carvings that ring the Deul’s second level. One could on and on writing about the Sun Temple and the majesty of it all. The stories and legends. The myths and the harsh reality. But seeing is believing, so here are a few random pics that but, hint at what awaits the traveller who makes his way to Konark. As i did. I could go on, but i’d rather speak about in person.
There's even a 'tourist toilet' there in case you were looking for more reason to go there.
One the statues of Surya, the Sun God. One of the few still in relatively good shape. Not the idol. Nobody knows for sure where it is or what happened to it. What's an idol without a sanctum. Anyways, to the left is the statue in granite of Arka in his chariot . Top left is a detail from the lower portion of the statue depicting Garuda's brother, Aruna, Surya's charioteer with three of the seven horses whose reins he holds (in the main statue exactly between Surya's feet). Bottom left is a detail from the waistband of Surya. To the right is a detail of one of the attendant dieties you can see at Surya's feet.
Above: The entrance to the jagamohana. Unfortunately, there is nothing to enter into. The inside has been filled up completely to prevent the structure from collapsing in on itself. Many many grateful thanks to The Hon’ble J.A. Bourdillon, C.S.I. Wondering who I’m thanking? Well. The granite plaque you see in the doorway reads, ‘To preserve this superb specimen of old Indian architecture the interior was filled in by order of The Hon’ble J.A. Bourdillon, C.S.I., Lieutenant Governor of Bengal A.D. 1903." Thank you sir.
Above: The jagamohana, which is the only major structure left. With day trippers in front and at the entrance. Look at the scale and marvel. The deul, or the main tower which would've been behind this was a lot more bigger. But sadly. Below: The Jagamohana just after dawn. The photo above was at about 1pm.


Above: Jubin 'waiting for a class-less state-less world' George, partner in crime this time around in front of one of the wheels. Lest you think that the wheels are small and man-size, here is some scale for perspective. Below: A composite of three images, look closely and you will see Jubin closely studying some detail on the walls to the left of the steps. Can't see him? No matter. Take a look at the composite below this one. That should give you the scale of man to wheel.
Above: The stones seem to change colour depending on what time of the day you are there. Remember that photo above (the personal favourite one). The one on the left. The photo was taken noon-ish. The same wheel a little while later. Below: Another illustration of the same point, this time with two different wheels on the same side of the temple.

