Then as of now

Winter had set in. I had already been slumming it out, been on the road for almost a month. Me, myself and a backpack. From delhi to haridwar, kedar to badri, hemkund sahib and everything on the way including Gorakhpur, the armpit of India. Gurudwara, telephone booth, 50-rupee rooms, railway platform, sleeping bag, when night came, anything was shelter enough. Trains, innumerable buses, shared taxis and a truck ride later found me walking across the border into Nepal en route to Tibet. It would still be another 20 days before I would eventually head back home. For now though, the bus that would take me to Kathmandu beckoned. As the bus left Sanauli, I realised I was the only non-Nepali in a crowded bus. And would be for the next 8-odd hours as the shuddery old bus wound its way through the picturesque mountainous roads. For the first time in all those days, I felt a sense of alone-ness. Not lonely, but alone. Perhaps it was this song that did. The driver played it a couple of hours into the journey. At that time I did not know what the words meant. I still don’t. No, don’t tell me. I don’t want to know. To me, at that point it captured that ineffable sense of ‘being away’. Of wanting to be with someone, but not just anyone. A sense of glorious desolation. Alone, but not lonely. Today, three years on…when I listen to this song, which I am as I write this, I am instantly transported back to those days, those roads, that bus filled with smiling happy people. I know this journey is but one of many that I need to make to get to wherever my heart takes me. I still have places to go, places to see. As I did then.

Everything you wanted to know about Kolaveri but didn’t know who to ask!

First tell me what is this ‘Kolaveri’ means?

The word is derived from the Tamizh words ‘Kolai’ meaning killing/ murder and supposedly ‘Veri’ meaning ‘rage’. So Kolaveri literally means ‘killing rage’ or ‘murderous fury’. Keep in mind that is a soup song (see next question) sung by a soup boy (again, see next question) so he is asking the girl who has rejected him why she is treating him like this. Soup boys will get it. But it’s usage can go beyond it. Last heard Soniaji was asking Mamata Bannerjee “Why this Kolaveri Didi?”. Also overheard an hour into Rockstar ‘Why this Kolaveri?’. Will soon supplant and replace ‘Emosional Atyaachaar’.

What’s ‘Soup’ got to do with a girl? What is a Soup Song? Who is a Soup Boy?

If you ask me, soup is short for ‘Soup-er’ – as in soup-er figure mama – but unfortunately that’s just my theory-u. According to Dhanush, the lyric writist and singer of this song-u, a Soup Boy’ is a love failure boy and a ‘Soup Song’ is a love failure song. Anu Malik’s “Why did you break my heart? Why did I fall in love?” is a soup song. Devdas is a Soup Boy. Singing ‘One by two-u veg manchow soup da’ to the waiter in tune is NOT a soup song.

Is ‘bouv-u’ supposed to the sound of a dog barking spelt bad wrongly?

This misconception stems from the classic Sher: Tere pyaar me mujhe kutta bana diya, Tere pyaar me mujhe kutta bana diya….yakeen nahin aata? Bow Bow!’ This is also a classic example of a Soup Sher. The theory fits in as much as this is a Soup Sher and the guy is singing to a girl in desperation because in a twist she said ‘yes’ to him and truned him into a dog (bandh gaya patta, ban gaya kutta). But the truth is that ‘bouv’ supposedly is slang for ‘snubbed’ ‘stood up’ etc. etc. Also nicely rhymes with cow-u.

Can you translate the ‘song’ into English please?

No. Because the whole song-u is in yinglish wonly mama. Did you not hear Dhanush say ‘Only english huh’. The few Tamizh words in the song have been addressed in the questions above. Also because any attempt at translation would lose out on the feelings of the song mama.

Why do you insist on calling me uncle? I don’t have a nephew or niece yet and neither am I that old!

No offense mama, but mama here does not mean ‘uncle’ it is but an affectionate term for ‘friend’ as you can see in the video itself where Dhanush call Anirudh, the music director ‘mama’, this does not mean Anirudh is Dhanush’s uncle. Anirudh’s uncle is (I have heard) Rajini saar.

WTF is Shruti Hasan doing in the video with the headphones on and all that?

Holy cow-u. What kind of a question is that? It’s Shruti Hasan! She can be anywhere she wants to. She looks equal parts cute, equal parts hot in the video so don’t look a gift horse in the mouth-u.

Who is the other woman?

Depends on which man you are talking about. In HDK’s case, it is the actress Radhika. Oh wait, you mean who is the other lady in the video? That is Aishwarya, director of the film in which this song features, Dhanush’s wife and the daughter of Rajini saar.

Is there a political angle to this song?

Perhaps, but only if you insist on saying – in Kannada, in Chennai – ‘Kolaveri nimmadu, Kaveri nammadu’. (HT to Lady J who misread Kolaveri as Kaveri thus providing ample fodder for politics)

Can you deconstruct this song? Is there a neo-classical post-modern interpretation to this song?

Yes. Get me drunk first.

Is there a cure for this song? I cannot stop watching the video again and again and again? I cannot stop listening to the song-u? I have lost count-u? What iz the cure-u?

You are probably watching the video to drool at Shruti Hasan, that’s not an affliction, you’re lucky, so don’t worry there is nothing wrong with you. As to listening, yes, there is a cure. But the cure is worse than the disease it is called ‘Silila yeh silsila’ (x3 ) followed by a healthy dose of Rebecca Black’s Friday. So stick to humming Kolaveri, it is a lot more fun. May the force be with you.

Any answer to any question that I might have missed?

Yes, you forgot question. And the answer to that question is ‘Yes, Rajinikanth knows the answer to ‘Why this Kolavri di?’

Laal Khopdi strikes again!

It all started with a conversation on the office balcony. 2 lasses, a laddy and me (yep, Mallika, Pooja and Khanna, I am referring to you - didn't think you guys would the spark behind such horror did ya?). Next thing you know we are talking about Shaitaani Tantrik, Khooni Dracula, Chudail No.1 and other such z-grade horror flicks, nay true blue Indian exploitation classics from such great luminaries as Kanti Shah, Purushottam, Harinam Singh et al (many thanks to the one and wonly Bhagat Productions for some awesome movies). A chai later I remembered that there have been some slasher movies that have been cut up (no pun intended) into music videos for firang metal songs. Are these Indian classics any less? Don’t they deserve a video of their own? Of course they do. And it has to be an Indian band, an Indian song. That will do do justice to Indian horror flicks being sliced and diced (pun intended).

Cut to Coffee House. Enter fellow metal fan and walking music encyclopedia Gautham Khandigey also known as GK also known as Soul Reefer. A quick brief later and my mission stated, Dying Embrace’s Grotesque entity was inboxed with due alacrity. 2 sleepless nights, many coffees and watching many old favourites later, emerged this:

We like. You like?

In case this has been slipping under thine radar, this here blog is another to which the Bekku makes a contribution to (or rather tries to) Here it is and its still there: Covers We Like

Thank you (also) for the music

Is it purely for the music or is it because of how intrinsically entwined it is with my childhood that I feel so a special connection with the man? I think it is because of the latter closely followed by the former.

Growing up, it was easy to dismiss ‘western music’ as this inexplicable noise and gibberish that as someone with absolutely no knowledge of English or exposure to the outside world I could afford to do. But somewhere between Mukesh and MS there was Michael, this one person who came to epitomize western music for us all – Michael Jackson – be it in gulbarga or karwar or udupi and other such places I spent my childhood in. Exposed to nothing more than Doordarshan and later The World This Week. It is a testimony then to MJ’s influence and worldwide accessibility. For the longest time, he was the only western music I ever knew, as I am sure he was for many of my generation. Those days if anyone said he listened a lot to western music, you could be rest assured he meant that he had one Michael Jackson tape. And that is why his death is that much more saddening. A part of our collective childhood died today, reminding us again of those days gone by when we would listen to Michael Jackson on thrice-recorded audio cassettes. In fact the first english music album I ever owned, a gift from my older cousin, was a copy of MJ’s Dangerous.

He was good. He made us love the unfamiliar. And how. But….Who was he? What was he? We knew nothing but his name. And all songs (the few rather that we knew) were known more by their description of what happened in that particular song than by its name. The attempts to hum the tune to tell the other guy what song you were referring to were as much as the songs themselves. Lyrics were irrelevant, as we didn’t know or speak english. Track names, what’s that? All that mattered was that we were listening to “foreign music”. And having a ball of a time crowded around an old tape recorder, each trying to outdo another in his “understanding” of this weird and unfamiliar yet strangely alluring music. With their fast pace, their dancy tunes, their strange instrumentation and above all, that great voice.

I remember those futile but insanely funny attempts when a few of us school boys tried moonwalking and dancing after seeing MJ do it like only he can. With lots of loose flailing limbs and crotch grabbing in a manner only awkward adolescents can. There was no cable then, no youtube, no DVDs, but a rental Video Cassette (at 10 rupees per day) that we all pooled in with a rupee or two in to see what it was all about. I remember that video cassette also had “that song where the Michael walks on the footpath and the tiles become bright bright as he walks over them”. I clearly remember that day after we watched the video mostly because of all the bruised knuckles and painful fingers we inflicted on ourselves during PT class in a bad, misguided and pale (no-knife) imitation of the Bad video. Total fun. Lots of Iodex was used in many a classmate’s household that night.

In effect that I think is what this is about – it wasn’t just Michael Jackson who died today, but a small, if very significant part of me as well. A part of a childhood lived in a bygone era, unrecognizable today. So selfishly I mourn today as much for that part of me as much as for Michael Jackson. All the artifacts, the little cultural reference points, the shared experiences slowly eroded by death, and fading with the march of time leaving behind the detritus of nostalgia and echoes of the past.

All I can say is I’m glad I lived when I did. And given a choice to redo things, I would still choose to have Michael Jackson as my first tentative step into the world of foreign, western music.

You, me and our friends brought up in that time – we are all those blocks that lit up when Michael Jackson stepped into the days of our lives. Back when.

Rest in peace Michael Jackson and do the moves again on the great dance floor in the sky.

Le roi est mort. Vive le roi.

Swine flew then too

The cover to the album Flying Pigs by Floyd the Pink. Look carefully. Swine flew then too. And if that wasn’t enough, this album – with track names mentioning swine and livestock – also inspired George Orwell to write the immortal allegorical novel called Animal Farm.

Yep. You read right. For more information, why not read ‘An Idiot’s Guide to Pink Floyd: theBekku exclusive’?